CALLS for SUBMISSIONS: NOV 26 – DEC 3

  • YORK University presents: Imagined Worlds

DEADLINE: Abstracts will be due on Monday, December 29th, 2014.

The 14th Annual York University Art History Graduate Student Symposium, based on the theme, Imagined Worlds, seeks to question the effigy of the real, notions of verisimilitude and the productive spaces created by processes of sim- ulation in art, history, ritual, and life. Given our recognition of the simulacrum as a representation of likeness, an image without the substance of its original, and as a vehicle of hyper-reality, how has artistic activity and theory reacted to the virtu- alization of the real? Even before the emergence
of the digital realm, art historically functioned as a means to reconstruct the imaginary. Imagined Worlds will provide a forum in which to explore
the manipulations and reflections of reality in both contemporary and historical contexts.
AHGSA invites proposals for presentations that critically engage with notions of with notions of the imaginary in art, visual culture, and their institutions.

Possible Topics include

• Recreation/Replicants
• Simulated Environments
• Iconography/Relics
• Speaking Back to Colonial
Imaginations
• Exhibitionary Culture & Critical Interventions
• Psycho-Geography/Cartography
• Architecture
• Archival Theory/Digitization
• Augmented Reality
• Surreality/Speculative Realism
• Experimental Process and/or D.I.Y.
• Internet/Animation/Video Games
• Claiming Space

Explorations in a variety of geographic regions, and time periods are encouraged.

Presentation Formats

Traditional 20-minute papers will be consid- ered. We also welcome artistic interventions, performances, new media works and experimen- tal technologies as extensions or responses to imagined worlds. These interventions may range from performances in a gallery to novel scientific theories. Artistic interventions will be allocated the necessary space on campus, and scheduled in accordance with the paper presentations. Please provide us with a proposed space for your work (i.e. conference room, gallery, hallway etc.) The mid-day panel of Imagined Worlds will host PechaKucha presentations. PechaKucha is an
alternate way to present aspects of/provide glimps- es into one’s research. This presentation style is comprised of 20 slides, which are shown for 20 seconds each (6 minutes and 40 seconds in total).
All presentations should be no longer than 20 minutes.

Submissions

Please send a 300 word abstract of your paper/ proposal along with a working title, Curriculum- Vitae, and contact information.
DEADLINE:

Abstracts will be due on Monday, December 29th, 2014.
The symposium will be held on February 27th, 2015 at York University Campus.

Please send all submissions to:

ahgsay@gmail.com

 

 

  • This is Paradise: Art and Artists in Toronto

Conference presented by the Justina M. Barnicke Gallery and the University of Toronto Art Centre

Deadline for submissions: January 19, 2015

Notification of acceptance: February 16, 2015

Conference dates: May 28 – 31, 2015 (to be confirmed)

Introduction

The conference This is Paradise: Art and Artists in Toronto will explore the relationship between the urban context and local artistic cultures in Canadaʼs largest city.  Taking an interdisciplinary approach to the visual arts that incorporates perspectives from the fields of urban studies, cultural studies, sociology and economics, among others, the conference will convene at the University of Toronto in May 2015.

Recent exhibitions like “Century City: Art and Culture in the Modern Metropolis” (2000) and “Traffic: Conceptual Art in Canada 1965-1980” (2010) – as well as research projects like “Ruins in Progress: Vancouver Art in the Sixties” (2009) and “Pacific Standard Time: Art in L.A. 1945-1980” (2011) – signal a renewed interest in considerations of place in the formation of distinct artistic cultures.  This is Paradise will be a critical look at the concrete conditions facing artists working in Toronto, and the various forms of artistic practice that take place there.

The conference will encompass the mid-1960s – at the crucial paradigm shift from the modernism of New York-influenced abstraction in painting, to the local pluralisation of new media (site-related installation, experimental film and video, performance, mail art, collaborative practices, sound art) and new forms of institutions (including co-ops, artist-run centres, independent theatres and small press) – and will continue up to the manifestations of the present day.  Within this framework, the conference aims to create a

critical and interdisciplinary platform for exploring art and artists in Toronto.

Conference set-up

This is Paradise: Art and Artists in Toronto will consist of a series of keynote lectures (45 minutes), thematic panels of three presentations (20 minutes) per panel, and focus sessions of three “case-study” presentations (20 minutes) per session.

We invite the participation of scholars, artists, curators and students from all backgrounds — Visual Arts, Media/Film and Communication Studies, Visual Studies, Cultural Studies, Art History, Urban Studies, Sociology, Economics, Canadian History, as well as practitioners outside the academy.

The call for papers welcomes recent scholarship and critical perspectives on the conditions of emergence of artistic communities, artistic and curatorial practices, institutions and pedagogy related to art in Toronto, as well as its broader national and international contexts.

Researchers are invited to explore (among other topics):

  • Histories of the city of Toronto from various social and political perspectives: colonial history, immigration, economics, labour history, urban development, government and grassroots politics, etc.
  • Critical art-historical accounts of art in Toronto — including accounts of individual artists; artist communities (artistsʼ scenes and social networks); institutional practice; and debates within and between various media (such as painting, photography, sculpture, installation, artist film and video, performance, public and community arts, artist interventions, and new media, among others)
  • Recurring artistic themes and organizational strategies that artists from various generations have developed in conceptualizing, depicting and engaging the city in which they live and work
  • Histories of local artist-initiated cultural practice — including artist-run exhibitions, publications, film/video festivals, and artist-organized exhibitions
  • Local artistic practice as reflected in gallery exhibitions and publications, and concretized in museum collections
  • Curatorial and theoretical attempts to present diverse as well as oppositional practices, traditions and histories in Toronto — including Aboriginal art, art of cultural minorities, women, and queer artists, socially-engaged art, etc.
  • Cultural policy in Toronto and in the context of policy-making at the provincial and federal levels, as well as the effects of policy on artistic practice and institutional development – including questions of funding, patronage, censorship, gentrification and urban renewal, the monetization and “festivalization” of culture, globalization and the Creative Class paradigm, etc.
  • Strategies that focus on local artistic practice within a broader regional, national and international framework

Submitting papers/sessions

Deadline for submissions: January 19, 2015

Notification of acceptance: February 16, 2015

Conference dates: May 28 – 31, 2015 (to be confirmed)

This call for papers is open to both institutional and independent researchers.  Aboriginal and culturally diverse researchers are especially encouraged to submit proposals.

Please send your abstracts (no more than 300 words) along with your CV (no more than 2 pages), with the subject heading “This is Paradise conference” to the conference organisers: jmb.gallery@utoronto.ca.

It is also possible to submit proposals for thematic panels (maximum of three speakers per panel).

The conference is presented by the Justina M. Barnicke Gallery and the University of Toronto Art Centre. The title, This is Paradise, is based on a work by Toronto artist Tom Dean.

 

University of Toronto Art Centre

15 King’s College Circle
Toronto, ON M5S 3H7
416-946-8687 www.utac.utoronto.ca jmb.utac.info@utoronto.ca

Justina M. Barnicke Gallery

7 Hart House Circle
Toronto, ON M5S 3H3
416-978-8398 www.jmbgallery.ca jmb.gallery@utoronto.ca