Friday #ArtCrush is a weekly blog series highlighting students in their final year at OCAD University. This Friday’s #ArtCrush is Syd Patterson, a photography student in Directed Studio.
In this series Syd and Morgan discuss work ethic, portraits and vulnerability, and photographing your community.
Who or what are your main photographic inspirations?
Whatever I’m curious about, anything genuine that interests me I suppose… Photography seems to have given me a means to explore different aspects of life around me; everything that I’m into practicing creatively all seems to be related in one way or another.
What subject matter do you tend to spend the most time working on?
People mostly. Generally I do portraits or document some kind of interaction with the body, sometimes I try to convey the intimacy of our connection to place and display the subtleties of body’s relationship to space and time.
You work a lot with 35mm, what do you think are the values of working with 35mm analog vs digital?
It’s really just a preference I think but in the cases when I shoot 35mm I find that you have to be more precautious about what you shoot, or at least be more certain when you take a picture because you’re more aware of how many shots it limits you to.
What body of work are you working on right now?
A collection of zines I hope to have ready for GradEx alongside a series of select prints. Lately my work has been revolving around aspects of community and physical collaborative efforts like building something or being proud of where you’re from.
Your portraits are vulnerable and convey the obvious trust these folks have with you. How do you develop this kind of trust with people you are photographing to make them comfortable?
I’m not much of a talker and I really appreciate being able to listen, visually photographs can say a lot of different things. I’ve come to learn that I’m happiest with the photographs I take that are the most genuine, whatever that means. I like to think that authenticity is something you can translate without words so I search for that in my subject matter and wait until I can seize an opportunity to capture a moment worthwhile.
What drew you to photographing skateboarders and skateboard culture?
The energy for sure. It takes a lot out of you but it also gives you a lot back. It’s very meticulous but also very gratifying.
How do you think your art practice has evolved or changed over your years at OCAD?
Going to school taught me that I need to have a work ethic at what you want to be good at, so I suppose that I learned to keep practicing.
Does research have an influence in how you produce your work and your art process?
Lots of “field research”.
How do you think the critique process in Directed Studio has helped the way you view your work and process?
Contextually it helped me understand where I want to go with photography, I view it as a labour of love more than anything else and critique allows you to hone in on your talents.
What is one piece of advice you would give to someone starting out in photography?
Don’t be afraid to fuck up, get back up when you fall down and keep trying until you get something right…then repeat that process again and again.
at OCAD’s Graduate Exhibition from May 3rd – May 6th
Friday #ArtCrush is a weekly blog series highlighting students in their final year at OCAD University.
Interview by Morgan Sears-Williams
About the writer: Morgan is a photo alumni and runs the Friday #ArtCrush series on the OCAD U Photography Blog. She loves speaking to other artists about social justice, how to break barriers within artist communities and nurturing the arts in alternative non-institutional spaces. She is the Art Co-ordinator for The RUDE Collective, and has done workshops on intersectionality and allyship relating to LGBTQ folks. To see more, you can visit her website or her instagram.