OCAD University Photography Program

News about events, our community & opportunites

Category: Alumni (page 1 of 15)

OCAD Alumni Featured in CONTACT Photography Festival

Left: Sebastian Benitez, Untitled (from the series Not This Way Either), 2012; Right: Josée Pedneault, NÆVUS, 2013–in progress

Left: Sebastian Benitez, Untitled (from the series Not This Way Either), 2012; Right: Josée Pedneault, NÆVUS, 2013–in progress

Be sure to check out the upcoming exhibition SIGNALS & SENTIMENTS, a featured CONTACT Photography Festival exhibition, showing at the Critical Distance Centre for Curators (CDCC). Curated by Katelyn Gallucci, the show includes work from OCAD alumni Sebastián Benítez, Petar Boskovic, Shelby Fenlon, and Jimmy Limit.

Where: Suite 302, Artscape Youngplace, 180 Shaw Street, Toronto, ON
When: April 27–June 4, 2017
Opening Reception: Thursday, April 27th from 6–9 pm

For more information, visit the Critical Distance website.

Barbara Astman at the National Gallery of Canada

Right side image: Barbara Coming...Barbara Going , c.1973 © Barbara Astman

Right side image: Barbara Coming…Barbara Going, c.1973 © Barbara Astman

Congratulations to Barbara Astman for her inclusion in the exhibition Photography in Canada: 1960–2000 at the National Gallery of Canada! Her work is a part of the Social Commentary/Feminism/Gender section. The show was organized by the Canadian Photography Institute.

Where: National Gallery of Canada, Ottawa, ON
When: April 7th – September 17th, 2017
More Info: Photography in Canada: 1960-2000

Exhibition catalogues are available for purchase here.

Apply to ART CAMP 2017

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Call for proposals: Due April 30th, 11:59pm (midnight)

Art Camp 2017 brings together 12 emerging artists from OCAD University and Ryerson University to build community and create art. This opportunity is open to artists in their 2nd year of study through to recent graduates (up to 2 years post-graduation) who are enrolled/alumni from a program within OCAD U’s Faculty of Art, Indigenous Visual Culture or Ryerson’s School of Image Arts. Participants will be selected through an application process in May 2017 that is based on artistic merit, availability and interest in collaboration.

Art Camp recognizes the profound and essential value that diversity brings to the creation, reception and circulation of creative practices and discourse. We encourage applications from members of equity-seeking communities including women, racialized and Indigenous persons, persons with disabilities, and persons of all sexual orientations and gender identities/expressions. We encourage members of equity-seeking groups to self-identify within their letter of intent in their application.

Working alongside faculty supervisors Robyn Cumming (Ryerson University), Jennifer Long & Jennie Suddick (OCAD U), the selected artists will create a group exhibition at Ryerson University’s off-site gallery Ryerson Artspace at the Gladstone Hotel in August 2017.

This year’s exhibition theme is RAISING/FALLING. Potential participants are not required to submit work on this theme but will create work during the course of the residency that engages with this theme for the resulting exhibition in August.

Participating in the residency will involve May & June access to OCAD U’s Photography Production Facilities, professional practice workshops, studio visits, talks, film screenings, brainstorming sessions, critiques and learning new artistic skills from May to August 2017. All participants will receive a budget towards the production of their exhibited work.

Note: The level of Photo studio access will vary depending on the artist’s familiarity with photography.

Residency Sessions: Participants should be available for the following sessions (evening sessions and special events may be added):

-Friday, May 12th 1-9pm: Introductions, sharing of work, welcome dinner
-All Wednesdays in May-July 9am-5pm

How to Apply
In a Google Drive/Dropbox link or single PDF document, include the following:

Applicant information:
• Name, Email address, University & Program of Study
• The year of study you will be entering in Sept 2017 / year of graduation
• Confirmation of your availability on the above dates (some
exceptions can be granted)
• Note: past participants are encouraged to apply, but
preference will be given to new applicants.
• A letter of Intent expressing your interest in this residency, what inspires your practice and how you might approach the exhibition theme. (max. 400 words)

Portfolio of work
• Include 10 images from 2 to 3 different series. If your work is time-based, please include web links for up to 3 works. NOTE: All pieces should be edited down to 3 minutes. You are encouraged to include a secondary link showcasing the entire piece.
• Images should be JPG format, approx. 8”x10”, at 72 dpi
• Include an image credit under each visual detailing the title, year, medium and scale or provide an accompanying image list.

Email the completed PDF or Dropbox link to jlong@faculty.ocadu.ca before APRIL 30th, 11:59pm (midnight). A jury will be struck to review the applications and applicants will be notified by May 5th of their acceptance.

QUESTIONS:
Jennifer Long – jlong@faculty.ocadu.ca or
Robyn Cumming – robyn.cumming@ryerson.ca

Congratulations Peter Sramek – Paris After Marville App

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Congrats to Peter Sramek on launching version 2.2 of Paris After Marville  in the Apple App Store!   The new version,$3.99 CAD, solves an issue that blocked starting-up without a WiFI connection (thanks to Aquafadas’ constantly improving compiler) and a few navigation improvements that make the user interface more intuitive.

Come Hang: Snack and Chat

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Project 31 – Thank you!

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Thanks to the Project 31 organizing committee, the generous artists who donated artwork and the  eager bidders who came out on Wednesday night to support the OCAD U community!  

The Photography Program would like to extend an extra special thank you to:

Kotama Bouabane, Acacia Johnson, Hugh Martin, & Tek Yang  who are directing the auction proceeds from their work to the Photography Special Projects Fund, which supports guest lecturer visits, special workshops, events, and residency programs, enriching student experience and professional opportunities.

April Hickox is directing the auction proceeds from her work to the Living Laboratory at Artscape’s Gibraltar Point. This unique course includes a one week residency where OCAD U students collaborate to produce site-specific artworks and design solutions in the environment of the Toronto Islands.

Peter Sramek is directing the auction proceeds from his work to student travel for the Photography International Collaboration Studio; providing third & fourth year students the opportunity to collaborate with various universities around the world, creating artworks and new networks.

Come Hang: Snack and Chat

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Kotama Bouabane in Calgary!

Kotama Bouabane. NYC, China. 2011. C-Print 36"x24"

Kotama Bouabane. NYC, China. 2011. C-Print 36″x24″

When Form Becomes Attitude at Contemporary Calgary

117 8TH AVE SW . CALGARY, CANADA
Curated by Noa Bronstein
Main & Tall Gallery, March 16 – July 30, 2016

 What is the political life of a building, place or historic marker? When Form Becomes Attitude points towards this question in considering the role of monuments or concepts around monumentality in constructing cities, nations and ideologies. Featuring artworks by Maria Flawia LitwinBear WitnessKotama Bouabane (OCAD U Photo Alumni & Faculty)Morehshin AllahyariChristian JankowskiIsabelle Hayeur, Babak Golkar, and Shelagh Keeley the exhibition reflects on the negotiated intersections of design and power in which monuments are materialized. When Form Becomes Attitude also emphasizes how state-building relates to city-building, while tracing how monuments speak to the mechanisms of architectural memory. In many contexts, monuments are constructed representations of nationalism and political posturing. The artworks in this exhibition, however, raise further questions around how monuments can serve as architectural or materialized devices of resistance, performance and subversion.

 When Form Becomes Attitude further addresses ideas around posterity in our built environment and how a nation’s official representation of itself, in the case of state sponsored monuments, prompts larger negotiations surrounding the rendering of nationalism. Equally, or perhaps more importantly, the artists within this exhibition carefully mine around and between these official renderings as a way to consider the speculative use or abuse of monuments as agents of power, politicking, gentrification, geopolitics and globalization.

March 18, 2017 – 1:00 PM

Panel Discussion / When Form Becomes Attitude
Lecture // STEPHEN AVENUE LOCATION

Join Guest Curator, Noa Bronstein, and artists Kotama Bouabane, Maria Litwin, and Babak Golkar while they discuss the role of monuments and concepts around monumentality in constructing cities, nations and ideologies.

http://www.contemporarycalgary.com/whats-on/utopia-factory

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