OCAD University Photography Program

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Category: Alumni (page 1 of 16)

Feminist Photography Network Call

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INTAC Exhibition Opens in Bratislava

INTAC in Slovakia

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Morgan Sears-Williams * Exhibition Opening Nov. 2

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Artscape Youngplace Hallway Gallery     2nd Floor, 180 Shaw Street, Toronto

Opening November 2nd and now extended to: November 24th, 2017

SOFT: transformative queer love and care explores the different manifestations of love and care and the intersections with politicized bodies, protest and reclamation of space.

 

Louie Palu Lecture – Nov. 3

Documentary Photographer – Journalist – Artist

This is an opportunity to meet with a war correspondent and photojournalist who graduated from OCA Photography and has built an intense, award-winning career. He is now on assignment for National Geographic and will be photographing in the Arctic.

Dianne Davis: Niagara Palimpsest

Dianne Davis, 2017

Dianne Davis, 2017

Come to Harbourfront Centre on Friday, June 23rd, 6-10pm to congratulate Photo alumna  Dianne Davis on the opening of Niagara Palimpsest, curated by Patrick Macaulay! 

Niagara Palimpsest is an alternate portrait of Niagara Falls, a place that is difficult to “see” because its myriad iconic images cloud our imagination. Growing up just a short distance from the Falls I often wondered about the natural world of this ‘natural wonder’.  Recently, while researching for a shoot in the area, I stumbled upon two anonymous school notebooks from 1891 containing pressed plants from the areas that now comprise the City of Niagara Falls. Taken in by the aesthetic quality of the pressings, I felt compelled to track down each of the 178 plants to uncover their fate – what survives, and what has been lost?

As I investigated each plant in this way, I began imagining the amateur botanist who had inhabited, tracked and named this same natural world, and I began drawing parallels between us. In her time the areas around the Falls and its riverbanks had only recently been stripped of trees. It is impossible to know whether she wondered about what had already been lost, or if she sensed the trajectory of things to come. Following in her footsteps, and impelled by the same compulsion to research, name and preserve, in the end I came to question these same impulses. What ends do they ultimately serve? Ultimately perhaps, our work can only attest to the “natural” history of the Falls, giving evidence of how significantly we have shaped this land.

I would like to acknowledge that the land from which these plants were gathered is the traditional territory of Attawandaron (Neutral), Anishinaabeg and Haudenosaunee peoples.

– Dianne Davis

 Harbourfront Centre
Opening reception: Friday, June 23, 6-10pm

The exhibition continues to Sept 17, 2017
235 Queens Quay West, Toronto, ON

Dianne Davis is a photo-based artist who lives and works in Toronto. She explores the complex relationships between humans and the natural world. Davis uses images to puncture the sense of inevitability that often informs the landscape and make it difficult to read and deconstruct its artifice.  She has exhibited widely and her work is in the permanent collection of the Center for Fine Art Photography in Colorado and Union Investment Real Estate based in Hamburg, Germany. Davis holds a MEng and a BSc from the University of Toronto, an MA from Concordia University and a BFA in Photography from OCAD University. She is the recipient of Emerging Visual Artist Grants from the Toronto and Ontario Arts Councils. Davis was born and raised in Chippawa (Niagara Falls, Ontario). Niagara Palimpsest is dedicated to the Nicol sisters of Niagara Falls.

 

LandMarks Opening + Free Bus!

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LandMarks: Art+Places
denaturalizing nationhood, one story at a time.

 Exhibit dates: June 23-25, 2017
Location: Rouge National Park
Opening: Friday June 23, 11 am, Rouge Beach

 Participating artists: Abigail Permell, Cassandra Smyth, Debora Puricelli, Dimitra Roussakis, Kaiatanoron Bush, Lizz Khan, Natasha Hirt, Robin Love,  Tia Cavanagh, Yawen Ginger Guo and Vishal Luthra.

 Free Bus Charter from OCAD University to Rouge Park
Bus leaves from OCAD University 100 McCaul St at 10 AM and returns at 4 PM
(Rouge Beach currently only accessed via waterfront trail that begins at Rouge Hill GO Station.  Rouge Park parking lot has been flooded.)

In the form of limited-term on-site interventions at Rouge National Park, artists’ works consider the political, economic and cultural implications of the stories we tell about ourselves through our relationships to land. These works critique concepts of nationhood by reconstructing narratives of identity that embrace indigeneity, challenge colonialism and reimagine contemporary Canada.

LandMarks2017/Repères2017 invites people to creatively explore and deepen their connection to the land through a series of contemporary art projects in and around Canada’s National Parks and Historic Sites.

A special thank you to faculty  Laura Millard & Min Sook Lee for leading this engaging project!

April Hickox // Index: Works from the Permanent Collection

April Hickox, Echo, 2010-2012, chromogenic prints, 35.5cm x 28cm

April Hickox, Echo, 2010-2012, chromogenic prints, 35.5cm x 28cm

April Hickox // Index: Works from the Permanent Collection
June 22, to September 17, 2017
Opening June 22nd at 6:30 
Kitchener-Waterloo Art Gallery

Over the course of over 35 years, April Hickox has mined the distinctions between personal and public sites through film, video, photography and installation. Her work is rooted in the narrative histories that individuals accumulate throughout their lives and the ability of inanimate objects to shape memory.Index will feature a selection of works by April Hickox donated to the Permanent Collection in 2012. Representing three distinct photographic series – Vantage Point, Portholes Glance, and Echo – these works convey Hickox’s interest in the aperture as both a mechanical and symbolic device. Also included in the exhibition is a new body or work from Provenance Unknown, Cancelled Paintings 2017. This work begins to question issues of value, providence, authorship.

Making its KWAG premiere, the Echo series serves as a poignant counterpoint to present-day selfie culture.  Here, Hickox creates a taxonomy of hand-mirrors, a traditionally-female heirloom which is representative of what is often thought to be a simpler time in history – a point in which self-reflection and personal actions existed largely between individuals, rather that the post-privacy milieu in which we  currently live. The mirror, for Hickox, reflects an image of how we want ourselves to be seen; it does not reflect the truth of our emotional lives, or who we think we are. Hickox’s mirrors lack a reflective surface, the result of a digital scanning process that renders each mirror as a sea of black, with a scarred and aged surface, and ultimately incapable of reciprocating our interest.

April Hickox is a lens-based artist, teacher and independent curator who lives on the Toronto Islands. Her work was been exhibited internationally and can be found in numerous Canadian collections. Hickox is currently associate professor of photography at the OCAD University in Toronto.

https://www.lensculture.com/search/projects?q=april+hickox

https://vimeo.com/aprilhickox

Instagram: http://www.instagram.com/aprilhickox

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