Roundtable Discussion at Hart House, University of Toronto, 5-7 pm April 26.
This event accompanies the exhibition Queering Family Photography at the Stephen Bulger Gallery which opens April 28 along with Sunil Gupta’s show Friends and Lovers – Coming out in Montreal in the 70s.
For the Complete Program: https://ryersonimagecentre.ca/symposium/photography-the-black-box-of-history/
For a text version of this event, visit http://bit.ly/2oreGdO. Please contact us if we can make any accommodations to ensure your inclusion in this event.
Copyright © Ryerson Image Centre. All rights reserved.
Image: Michael Mitchell, Black Square: Alberta Badlands, Brooks, 1979, chromogenic print. Courtesy of the artist
Artscape Youngplace Hallway Gallery 2nd Floor, 180 Shaw Street, Toronto
Opening November 2nd and now extended to: November 24th, 2017
SOFT: transformative queer love and care explores the different manifestations of love and care and the intersections with politicized bodies, protest and reclamation of space.
Dianne Davis, 2017
Come to Harbourfront Centre on Friday, June 23rd, 6-10pm to congratulate Photo alumna Dianne Davis on the opening of Niagara Palimpsest, curated by Patrick Macaulay!
Niagara Palimpsest is an alternate portrait of Niagara Falls, a place that is difficult to “see” because its myriad iconic images cloud our imagination. Growing up just a short distance from the Falls I often wondered about the natural world of this ‘natural wonder’. Recently, while researching for a shoot in the area, I stumbled upon two anonymous school notebooks from 1891 containing pressed plants from the areas that now comprise the City of Niagara Falls. Taken in by the aesthetic quality of the pressings, I felt compelled to track down each of the 178 plants to uncover their fate – what survives, and what has been lost?
As I investigated each plant in this way, I began imagining the amateur botanist who had inhabited, tracked and named this same natural world, and I began drawing parallels between us. In her time the areas around the Falls and its riverbanks had only recently been stripped of trees. It is impossible to know whether she wondered about what had already been lost, or if she sensed the trajectory of things to come. Following in her footsteps, and impelled by the same compulsion to research, name and preserve, in the end I came to question these same impulses. What ends do they ultimately serve? Ultimately perhaps, our work can only attest to the “natural” history of the Falls, giving evidence of how significantly we have shaped this land.
I would like to acknowledge that the land from which these plants were gathered is the traditional territory of Attawandaron (Neutral), Anishinaabeg and Haudenosaunee peoples.
– Dianne Davis
Opening reception: Friday, June 23, 6-10pm
The exhibition continues to Sept 17, 2017
235 Queens Quay West, Toronto, ON
Dianne Davis is a photo-based artist who lives and works in Toronto. She explores the complex relationships between humans and the natural world. Davis uses images to puncture the sense of inevitability that often informs the landscape and make it difficult to read and deconstruct its artifice. She has exhibited widely and her work is in the permanent collection of the Center for Fine Art Photography in Colorado and Union Investment Real Estate based in Hamburg, Germany. Davis holds a MEng and a BSc from the University of Toronto, an MA from Concordia University and a BFA in Photography from OCAD University. She is the recipient of Emerging Visual Artist Grants from the Toronto and Ontario Arts Councils. Davis was born and raised in Chippawa (Niagara Falls, Ontario). Niagara Palimpsest is dedicated to the Nicol sisters of Niagara Falls.
CONGRATULATIONS PHOTO ALUMNI MORGAN SEARS-WILLIAMS (2017) AND MADDIE ALEXANDER (2016) for their upcoming exhibition at the Canadian Lesbian and Gay Archives!
Opening: Saturday June 17th- 7pm till 2am
Femme4Femme is a collaborative exhibition between Morgan Sears-Williams and Maddie Alexander as a part of Nuit Rose Festival – Between Venus & Mars .
Through text, image and installation; the artists strive to explore both the historical and contemporary existence of femme identity. Alexander’s approach pulls from pop culture and pornography, using oversaturated imagery to explore the way queer femmes are represented in the media. Alexander explores micro aggressive language in a satirical manner, to break down the subtleties of femme phobia in film and television.
Morgan uses older technologies as an entry point for viewers to interact with the stories of queer folks both historically and contemporarily, with a focus on queer femme identities. By blending time to create a lasting and long thread of feminist queer activism and lived realities, they challenge the notion that queer feminist activism and femme presence exist within a certain time period.
Both approaches use different methodologies; however work towards a simultaneous goal of archiving the existence of queer femmes. Focusing on and inspired by lived experiences, both works take from contemporary and historical queer presence and absence, and question the roles expected of queer femmes. The works interact with each other to display the efforts of archiving queer life from the artist’s perspective, and the importance of visibility and existence as resistance.
34 Isabella st, 2nd floor.
Opening: Saturday June 17th- 7pm till 2am
June 18th to June 27th, 2017
Tuesday 6:30pm – 9:00pm
Wednesday 6:30pm – 9:00pm
Thursday 6:30pm – 9:00pm
Friday 1:00pm – 5:00pm