Miles Collyer, Coordinator in the OCADU Career Development Office is a Photo Program Grad, so he knows your business!
You can contact him anytime firstname.lastname@example.org or drop by the office.
You can check out what the Careers office in the Centre for Emerging Artists & Designers can do for you at: https://www.ocadu.ca/services/career-development.htm
Onsite Gallery is OCAD University’s professional gallery and experimental curatorial platform for art, design and new media. Fostering social and cultural transformations, Onsite serves the OCAD U community and the general public.
A completely new Onsite Gallery will open in September 2017 at the centre of OCAD University’s Creative City Campus. The expanded Onsite Gallery will be a stunning 8,000 square-foot space located at 199 Richmond St. W. and will be downtown Toronto’s most talked-about contemporary art and design space.
Reporting to the Programs Coordinator, Onsite Gallery, the Onsite Gallery Student Monitor serves as front-line staff welcoming and informing visitors about exhibitions and public events, supervises galleries and engages with visitors.
The Onsite Gallery Student Monitor will:
Duration: early September until December 11, 2017, with possibility of renewing for the following exhibition period
Rate of pay: $12.43/hour – plus 4% in lieu of vacation and 8% in lieu of benefits
Schedule: 1-3 regular weekly shifts to be determined, resulting in between 7.25-19.25 hours/week, depending on availability
Vacancies: 3-4 regular Student Monitor positions; 2-3 Student Monitors for special event assistance and on an as-needed basis
Please submit the following to Linda Columbus, Programs Coordinator, at email@example.com:
Applications will be accepted until 11:59 p.m., July 16, 2017.
As an employer committed to employment equity, we encourage applications from members of equity-seeking communities including women, racialized and Indigenous persons, persons with disabilities, and persons of all sexual orientations and gender identities/expressions.
Niagara Palimpsest is an alternate portrait of Niagara Falls, a place that is difficult to “see” because its myriad iconic images cloud our imagination. Growing up just a short distance from the Falls I often wondered about the natural world of this ‘natural wonder’. Recently, while researching for a shoot in the area, I stumbled upon two anonymous school notebooks from 1891 containing pressed plants from the areas that now comprise the City of Niagara Falls. Taken in by the aesthetic quality of the pressings, I felt compelled to track down each of the 178 plants to uncover their fate – what survives, and what has been lost?
As I investigated each plant in this way, I began imagining the amateur botanist who had inhabited, tracked and named this same natural world, and I began drawing parallels between us. In her time the areas around the Falls and its riverbanks had only recently been stripped of trees. It is impossible to know whether she wondered about what had already been lost, or if she sensed the trajectory of things to come. Following in her footsteps, and impelled by the same compulsion to research, name and preserve, in the end I came to question these same impulses. What ends do they ultimately serve? Ultimately perhaps, our work can only attest to the “natural” history of the Falls, giving evidence of how significantly we have shaped this land.
I would like to acknowledge that the land from which these plants were gathered is the traditional territory of Attawandaron (Neutral), Anishinaabeg and Haudenosaunee peoples.
– Dianne Davis
Opening reception: Friday, June 23, 6-10pm
The exhibition continues to Sept 17, 2017
235 Queens Quay West, Toronto, ON
Dianne Davis is a photo-based artist who lives and works in Toronto. She explores the complex relationships between humans and the natural world. Davis uses images to puncture the sense of inevitability that often informs the landscape and make it difficult to read and deconstruct its artifice. She has exhibited widely and her work is in the permanent collection of the Center for Fine Art Photography in Colorado and Union Investment Real Estate based in Hamburg, Germany. Davis holds a MEng and a BSc from the University of Toronto, an MA from Concordia University and a BFA in Photography from OCAD University. She is the recipient of Emerging Visual Artist Grants from the Toronto and Ontario Arts Councils. Davis was born and raised in Chippawa (Niagara Falls, Ontario). Niagara Palimpsest is dedicated to the Nicol sisters of Niagara Falls.
denaturalizing nationhood, one story at a time.
Exhibit dates: June 23-25, 2017
Location: Rouge National Park
Opening: Friday June 23, 11 am, Rouge Beach
Participating artists: Abigail Permell, Cassandra Smyth, Debora Puricelli, Dimitra Roussakis, Kaiatanoron Bush, Lizz Khan, Natasha Hirt, Robin Love, Tia Cavanagh, Yawen Ginger Guo and Vishal Luthra.
Free Bus Charter from OCAD University to Rouge Park
Bus leaves from OCAD University 100 McCaul St at 10 AM and returns at 4 PM
(Rouge Beach currently only accessed via waterfront trail that begins at Rouge Hill GO Station. Rouge Park parking lot has been flooded.)
In the form of limited-term on-site interventions at Rouge National Park, artists’ works consider the political, economic and cultural implications of the stories we tell about ourselves through our relationships to land. These works critique concepts of nationhood by reconstructing narratives of identity that embrace indigeneity, challenge colonialism and reimagine contemporary Canada.
LandMarks2017/Repères2017 invites people to creatively explore and deepen their connection to the land through a series of contemporary art projects in and around Canada’s National Parks and Historic Sites.
April Hickox // Index: Works from the Permanent Collection
June 22, to September 17, 2017
Opening June 22nd at 6:30
Kitchener-Waterloo Art Gallery
Over the course of over 35 years, April Hickox has mined the distinctions between personal and public sites through film, video, photography and installation. Her work is rooted in the narrative histories that individuals accumulate throughout their lives and the ability of inanimate objects to shape memory.Index will feature a selection of works by April Hickox donated to the Permanent Collection in 2012. Representing three distinct photographic series – Vantage Point, Portholes Glance, and Echo – these works convey Hickox’s interest in the aperture as both a mechanical and symbolic device. Also included in the exhibition is a new body or work from Provenance Unknown, Cancelled Paintings 2017. This work begins to question issues of value, providence, authorship.
Making its KWAG premiere, the Echo series serves as a poignant counterpoint to present-day selfie culture. Here, Hickox creates a taxonomy of hand-mirrors, a traditionally-female heirloom which is representative of what is often thought to be a simpler time in history – a point in which self-reflection and personal actions existed largely between individuals, rather that the post-privacy milieu in which we currently live. The mirror, for Hickox, reflects an image of how we want ourselves to be seen; it does not reflect the truth of our emotional lives, or who we think we are. Hickox’s mirrors lack a reflective surface, the result of a digital scanning process that renders each mirror as a sea of black, with a scarred and aged surface, and ultimately incapable of reciprocating our interest.
April Hickox is a lens-based artist, teacher and independent curator who lives on the Toronto Islands. Her work was been exhibited internationally and can be found in numerous Canadian collections. Hickox is currently associate professor of photography at the OCAD University in Toronto.
CONGRATULATIONS PHOTO ALUMNI MORGAN SEARS-WILLIAMS (2017) AND MADDIE ALEXANDER (2016) for their upcoming exhibition at the Canadian Lesbian and Gay Archives!
Opening: Saturday June 17th- 7pm till 2am
Femme4Femme is a collaborative exhibition between Morgan Sears-Williams and Maddie Alexander as a part of Nuit Rose Festival – Between Venus & Mars .
Through text, image and installation; the artists strive to explore both the historical and contemporary existence of femme identity. Alexander’s approach pulls from pop culture and pornography, using oversaturated imagery to explore the way queer femmes are represented in the media. Alexander explores micro aggressive language in a satirical manner, to break down the subtleties of femme phobia in film and television.
Morgan uses older technologies as an entry point for viewers to interact with the stories of queer folks both historically and contemporarily, with a focus on queer femme identities. By blending time to create a lasting and long thread of feminist queer activism and lived realities, they challenge the notion that queer feminist activism and femme presence exist within a certain time period.
Both approaches use different methodologies; however work towards a simultaneous goal of archiving the existence of queer femmes. Focusing on and inspired by lived experiences, both works take from contemporary and historical queer presence and absence, and question the roles expected of queer femmes. The works interact with each other to display the efforts of archiving queer life from the artist’s perspective, and the importance of visibility and existence as resistance.
34 Isabella st, 2nd floor.
Opening: Saturday June 17th- 7pm till 2am
June 18th to June 27th, 2017
Tuesday 6:30pm – 9:00pm
Wednesday 6:30pm – 9:00pm
Thursday 6:30pm – 9:00pm
Friday 1:00pm – 5:00pm
Congratulations to Photo alumni and 2016 Verant Richards Award Recipient Antonio Giacchetti on the opening of Sense and Sentiment at Gallery 44!
Opening Reception June 9,6:00PM to 8:00PM
Friday, June 9, 2017 to Saturday, July 8, 2017
Gallery 44 Centre for Contemporary Photography
401 Richmond St W, ste 120, Toronto
Drawing influence from the history of non-representational photography, and recent practices by the artist in this field of production, this series serves as an active rejection of sensibility and sentimentality. Using steel, a material foundational to the social and economic structure of the artist’s hometown Hamilton, Giacchetti creates images that are fundamentally reductive in both form and meaning; offering up the representational history of photography in exchange for a photograph that essentially refers to and depicts nothing but itself. After sensitizing plates using a silver-gelatin emulsion, the plates are then exposed to ambient light in Giacchetti’s hometown. Although definitive in intention and execution, this work embraces objectivity in its purest form, reducing an image of the artist’s history to a flat black plane.
This exhibition is presented in partnership with OCAD University.
Antonio Giacchetti is a writer and visual artist practicing in Southern Ontario, and has recently completed a BFA in Photography at OCAD University. His practice includes a variety of experimental image making methods, conceptual and studio based photography as well as short performative and experimental films. Recent works have explored visual articulations of existential philosophy, deconstructions of the photographic image, mark-making, and notions of home, memory and formative experiences from the context of the male form. His work has been exhibited at various locations in Toronto and Hamilton, Ontario as well as internationally in Tampere, Finland and Berlin, Germany.
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