Onsite Gallery is OCAD University’s professional gallery and experimental curatorial platform for art, design and new media. Fostering social and cultural transformations, Onsite serves the OCAD U community and the general public.
A completely new Onsite Gallery will open in September 2017 at the centre of OCAD University’s Creative City Campus. The expanded Onsite Gallery will be a stunning 8,000 square-foot space located at 199 Richmond St. W. and will be downtown Toronto’s most talked-about contemporary art and design space.
Reporting to the Programs Coordinator, Onsite Gallery, the Onsite Gallery Student Monitor serves as front-line staff welcoming and informing visitors about exhibitions and public events, supervises galleries and engages with visitors.
The Onsite Gallery Student Monitor will:
Duration: early September until December 11, 2017, with possibility of renewing for the following exhibition period
Rate of pay: $12.43/hour – plus 4% in lieu of vacation and 8% in lieu of benefits
Schedule: 1-3 regular weekly shifts to be determined, resulting in between 7.25-19.25 hours/week, depending on availability
Vacancies: 3-4 regular Student Monitor positions; 2-3 Student Monitors for special event assistance and on an as-needed basis
Please submit the following to Linda Columbus, Programs Coordinator, at email@example.com:
Applications will be accepted until 11:59 p.m., July 16, 2017.
As an employer committed to employment equity, we encourage applications from members of equity-seeking communities including women, racialized and Indigenous persons, persons with disabilities, and persons of all sexual orientations and gender identities/expressions.
Congratulations to Maisha Marshall-Ende for being the OCAD U representative for the 2017 AIMIA | AGO Photography Scholarship Prize! Maisha’s portfolio has now moved onto the next stage of the jurying process and will be reviewed by the AIMIA | AGO jury, alongside 15 other students representatives from across the country, in hopes of receiving one of the three $7,000 scholarships!
The OCAD U faculty jury who selected Maisha to represent OCAD U had this to say about her practice:
Maisha Marshall-Ende works with a confidence beyond her years, seeking and finding new ways to explore the fluidity of representations of bodies. Employing studio colour, b/w and video, her strategies engage the viewer in an intimate vision that disrupts interpretations of beauty and physicality. Her video work is a lovingly shot and an irreverent contribution to the long and illustrious herstory of black hair.
Marshall-Ende uses the figure to skillfully transform the complicated nature of bodies politicized by gender and race. The gestures captured are both subtle and powerful in a stillness that questions and subverts how bodies are seen. The resulting photographs offer dramatic sculptural forms through the intersections of human bodies, hands and faces with lingering close-ups revealing fine-grained and richly textured landscapes of touch.
Grad Ex continues:
Friday, May 5, 9:30 a.m. – 8 p.m.
Saturday, May 6, 11 a.m. – 5 p.m.
Sunday, May 7, 11 a.m. – 5 p.m.
Congratulations to current students Lesia Miga, Morgan Sears-Williams, Nazila Niazi, and Meghan Boyle for their CONTACT exhibition “Bed of Roses” at Fleishman Gallery! Check out their show opening on May 2nd to hear more about the work.
Where: Fleishman Gallery, 25 Baldwin Street, Toronto, ON
When: May 2–30, 2017
Opening Reception: May 2, 6pm–9pm
For more information, visit the CONTACT website.
Friday #ArtCrush is a weekly blog series highlighting students in their final year at OCAD University. This Friday’s #ArtCrush is Naaz Niazi, a fifth year photography student in thesis.
In this series, Naaz and Morgan talk about collage as a form of image making, working as an Iranian within the Canadian context and exploring multiple identities through photography.
Who or what are your artistic inspirations?
My inspiration come from anything that makes me pause and think further about art. For example, references to the everlasting masterpieces of architecture sites in Iran, Persian Miniature paintings, Persian textile and Persian geometric pattern have been an inspiration for me to create an art with new meaning.
I’ve recently discovered a selection of amazing art through Instagram pages such as art_psycho , love.watts, artbasel and collage_expo introduce contemporary artists and instantly update me in the world of art.
What subject matter do you tend to spend the most time working on?
I’ve always been drawn to subject matters such as visual narrative and constructed scenery, paradoxes of culture, magic realism and surrealism in photography. My approach to photography is explored through self-representation and performance while exploring the space between the real and unreal.
Transposed 1, Digital Collage, 2017
What drives you to work with that subject matter?
As an Iranian-Canadian artist the ambition to share a true expressive work in themes of cultural identity was always an element of interest. My aim was to combine the traditional identity versus the modern identity and the notions of the self as an Iranian in society. I am also interested that through juxtaposition, I can offer a relationship between objects, subjects, locations and their new environment while provoking the viewer’s imagination and bringing memory to a constructed reality.
Do you work in any other mediums and how does that inform your work?
I’ve been drawn to create a painterly aesthetic to my photography and lithography has given me the ability to create a texture similar to a painting. I have also worked within matte medium transfer on vellum which creates a delicate see through piece that works well with light and installation. These mediums take photography out of its 2- dimensionality and create a closer relationship between the artist and their work.
In Transposed (your thesis work), you have been dealing with themes as a transnational artist and straddling different identities living in Canada and being Iranian. What is your experience working as a transnational artist and how do you bring this into your work?
As an Iranian artist I dealt with duality of culture, identity, memory and nostalgia, Iwas hoping to produce a work that shares a true expression of this experience while using assemblage, juxtaposition, and manipulation to create a visual narrative that provides an open-end format to the viewer and brings a sense of experience to the audience.
Transposed 2, Digital Collage, 2017
Working within collaging, how do you decide what different materials and images to bring into making a single image?
In my imagery I mostly use pictures I shot previously . I believe that each image had a purpose when it was shot , so i’m constantly looking through new and old images while developing a concept .I also look for symbolism and iconic images within the Persian culture.
How do you think your art practice has changed or evolved over your time at OCAD?
I am so glad that throughout my years at ocad vie experienced a combination of mediums . I was always interested to explore art through different mediums and am glad that I took such multi-disciplinary courses in painting , printmaking , digital art and video .
Transposed 3, Digital Collage, 2017
Where do you see your career path going and who would you most like to work with?
I am going to continue making my art and am hoping to collaborate with more local artists and be a part of the artist community in Toronto .
Are there any specific OCAD U Faculty who have influenced your work? A specific discipline or course?
I’m so thrilled to be working with so many amazing people through my journey at OCAD . Nicholas Pye have been supporting my ideas and art for the past three years .I was lucky enough to be mentored by April Hichox and Nick Pye in my thesis year.
Throughout my liberal courses Mark Dickinson and Gabby Moser affected me expanding my knowledge in a critical way and their passion in teaching and learning .
Untitled, Digital Collage, 2017
To see more of Naaz’s work visit her instagram.
See Naaz’s work at the
102nd Graduate Exhibition at OCAD University, May 3rd-7th.
Friday #ArtCrush is a weekly blog series highlighting students in their final year at OCAD University.
Interview by Morgan Sears-Williams
About the writer: Morgan is a fourth year photography student and runs the Friday #ArtCrush series on the OCAD U Photography Blog. She loves speaking to other artists about social justice, how to break barriers within artist communities and nurturing the arts in alternative spaces. She is the Art Director for The RUDE Collective, a student representative on the Photography Curriculum Committee and has done workshops on intersectionality and allyship relating to LGBTQ folks. To see more, you can visit her website or her instagram.
Don’t miss the exciting opportunity to design and build an installation to be displayed in the lobby of Scotia Plaza located at 40 King St. W, Toronto. Partnering with Scotiabank and Dream Office Reit to sponsor the competition, the installation will celebrate, draw attention for and create an impactful and positive conversation about diversity, equality and inclusion.
The installation is to occupy a 10’ x 10’ space, approximately 10 feet high to be located in the lobby of 40 King St. West in the walkway from ground floor Adelaide St. entrance that leads to Starbucks. The installation is to be a physical display (no digital image). The material would have to be hard and durable to withstand public access.
Finalist – $5,000 prize + $10,000 production (includes materials and installation)
Award for 2 Honourable Mentions – $500 each
Faculty of Art graduating students and/or student teams (maximum 3 students, at least 2 participating in Grad Ex) must be participating in Grad Ex 2017.
Good to know
Questions or concerns for applicants can be directed to the Project Coordinator:
Rob Nicholls, Sessional Instructor, Drawing and Painting firstname.lastname@example.org
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