Hot Pop Factory

founders of HotPop

(Image of Bi-Ying and Matt. Image from:


  • Hot Pop Factory does a lot of 3D printing for jewelry, figurines, etc. Does Hot Pop Factory 3D print things that are potentially for technology? i.e.: cases for working components
  • What is the future of 3D printing? Is it something that would open to artists and non-artists?
  • A lot of places charge an expensive fee for 3D printing. Pretty sure printing materials costs a bit. What is the production for the models like?
  • Bonus Question: I got the impression that Hot Pop is similar to those who are within the Maker’s Economy. The maker’s economy makes creations by themselves, and sells the productions online or elsewhere. However, Bi-Ying was talking about the production using robotic arms. How would the robotic arms play into the idea of Maker’s Economy? Would it typically become another small factory, or would it become a hybrid of both?



When the class arrived to Hot Pop Factory, we were greeted by Bi-Ying, one of the co-founders of Hot Pop Factory. She started by presenting to us how the company started, and what their business essentially provides. Hot Pop factory is a customize production company that specifically uses 3D printers and laser cutters. They were established when they tried to use 3D programs such as Rhino to build architecture that cannot be found in daily society. They tried to create buildings that replace walls with fabric, and get eccentric shapes to form on the building. The idea was shot down by their professor, but they continued to pursue the idea, which eventually lead them to help produce a building in Ottawa that plays on that concept. The whole idea behind Hot Pop factory is to use machinery in modern day society such as 3D printing and laser cutting to create customization and art that would be opened to anyone with the interest.


Personal Response and Reflections:

Upon going to Hot Pop Factory, I went in with the mindset that the small company is the start of promotion for technologies such as 3D printing and laser cutting. I also saw them as a part of the makers’ economy, which creates art and products of their own, and sell them in the market. However, Bi-Ying expressed the idea of using the technology to create the art, and the benefits to creating a robotic arm to assemble the piece created together. In using robotic arms to assemble the art together, human labour would be manipulated. Thinking upon this idea, I do not believe that robotic arms would be a good idea because assuming that not only Hot Pop Factory uses the technology, a lot of labour intensive jobs would be cut. In a monetized world such as ours, with jobs like these being cut, and technology replacing people, the economy may crumble due to lack of income. It also makes the business into a small production factory because the robotic arm would also speed up process, making it easier to mass-produce products. Assuming that the business does not use the robotic arm to mass-produce, it is possible for the company to be a hybrid of both a factory and the makers’ group. It would be intriguing to see how Hot Pop Factory would further grow if the technology of the robotic arm is build for them.

3D PEZ dispensers

(3D PEZ dispensers. Image from: