Are there any projects that Indiegogo won’t allow?
What process of revision do projects undergo before being published?
What are some of the most unexpectedly successful projects you’ve seen on Indiegogo?
We had the opportunity to speak with Steve Tam, and to preview a presentation he prepared for a conference in the coming days. Steve broke down some of the elements that make a successful crowd-funded campaign.
Crucial to the success of a campaign is audience engagement. An audience cannot be defined in a focus group, in an office or class setting. Reduction of a product’s audience to a “representative sample” creates egregious data, warped by the setting of the focus group, as well as by the assumptions made about the audience in the first place.
The most honest feedback will come from the first responders – the early adopters. Feedback rises out of initiating a conversation with a broader audience. It’s then the project producers’ task to listen to the feedback that arrives, and to respond and make changes to the product based on this feedback. Rapid iteration is important; as Steve put it, “pivot quickly”. The Misfit Shine campaign, which marketed a compact activity tracker, altered their product mid-campaign to wild success. They ended up raising over 800% of their original goal.
It also helps to create a sense of membership, as well as urgency for the product. Create accountability and loyalty. New and unexpected customers may emerge by the creation of buzz around the product. The Plexidrone campaign created a sense of urgency and membership by offering unique packages for limited times over the course of their campaign.
Steve also spoke about three pillars that make a campaign: brand, product and story. The brand is the identity of the company; creating rapport with the audience by being responsive and inclusive helps build the reputation of the company, and that reputation becomes tied to the company’s visual identity. The company or project also needs to represent the potential product in a way that makes sense to the audience. It’s important to narrow the gap between the “painted picture” and what the customer eventually receives. And finally, a compelling and personal story draws the audience into the product, and helps them realize how it would fit into their lives positively. The story will float between the points of product features and emotions, and it’s important to find the balance between these.
One thing that crossed my mind listening to Steve talk about “story” was a trend I’ve observed whereby the value of a product is embellished or exaggerated through emotional story telling. I find that this approach can come across as narcissistic and misleading. We see this a lot for example in sports and family vehicle marketing. An example is Nike’s campaign that brings together the entire city of Cleveland into a huddle with the city’s basketball team, and the emotional pre-game cheer, rounded off with a moving and atmospheric soundtrack.
I find myself bucking and rejecting this model, particularly when I’m uninterested in the product. I feel very strong about truth in advertising. I feel that embellishing a product to an extreme degree is misleading, especially to a younger impressionable audience. Maybe I’m being pessimistic because I don’t feel “included” in the sports or family Sedan stories, but I think there are more constructive and insightful ways we can connect with audiences, and especially with young people.
Photo Credit: http://parlez-vousphotography.quietplacetolive.com/september-14-2013-good-morning-with-burning-man/